In the latest evolution of my themes, I uncover possible ambiguities in my images of figures in conflict, embedding them in context that extend that introduce narrative possibilities.
My “Rearranged World” series serve as an analogy to the destructive and creative processes of both nature and humanity, and how humans try to transform the chaos of nature into order. Each piece begins with letterpress typeset tray, discarded from a Chinese print shop that used a technology that has been supplanted by digital reproduction. Inserted within each niche are strips of maps taken from old atlases, with representations of a “rearranged” world from our recent past, one that has since been further altered by humanity.
When I conceived of Cartography series piece, I wanted to work large but was not in a location where I could purchase and transport large canvases, so I made the work from small pieces of cardboard I found in the street and piece together. I made a couple of important discoveries working this way. Using “recycled” materials freed me up to be less precious about the work, allowing me to explore themes and styles in a way that I resisted previously.
The modularity also allowed me to continuously expand and contract the scale of each work, swapping and exchanging entire sections of a work that could theoretically be any size that I want. I’ve worked on sections of Cartography since 2000 and most recently combined a very large and previously unrelated portions into a mural installation.